Star trek discovery imdb11/16/2023 ![]() A lot of the time, you’re in the writers room, and you’re just sort of following your heart and you’re following your gut, and you’re trying to navigate toward what feels emotionally correct. “It just felt like a really interesting way to do it,” he says. “It’s a responsibility that we wanted to take very, very seriously.” Along with expanding the show’s representation of gender identity, Kurtzman says the writers also talked about wanting to tell “a great love story” on Season 3, and the two ideas merged together. “Part of the joy of Star Trek, especially given the state of the world now, is that we get to create the world that we want to see,” adds Kurtzman. Who are the voices that we are not hearing from? Which are the characters that we are not seeing? Right now, what’s an important voice that we want to hear through these characters?” “‘Star Trek’ has always represented a myriad of voices. “We really wanted to look around and see what sorts of new stories we could tell,” says Paradise. With “Discovery” jumping so far into the future in its third season, the writers took advantage of the opportunity to further expand the scope of the show’s queer representation. Culbert, there hadn’t been any LGBTQ representation of any significance on a “Trek” TV series. ![]() Infinite diversity in infinite combinations has been one of the core values of “Star Trek” ever since creator Gene Roddenberry put a Black woman, Nichelle Nichols’ Uhura, and an Asian man, George Takei’s Sulu, on the bridge of the Enterprise in the original “Star Trek” TV series in 1966.īut until out actors Anthony Rapp and Wilson Cruz were cast on “Discovery” as couple Lt. Sonequa Martin-Green, Doug Jones, Raven Dauda, Wilson Cruz and Blu del Barrio on “ Star Trek: Discovery.” Michael Gibson/CBS The Writers Knew Early on They Wanted Non-Binary and Trans Representation for Season 3 ![]() In an already very “Star Trek” storyline comes one more twist: Once Adira’s memory is unblocked, and they have access to the symbiont’s past lives and memories, Adira is able to see and talk with Gray again. But when an accident fatally injures Gray, Adira chooses to save the symbiont by having it inserted into their body. Adira eventually remembers that the symbiont once lived inside their boyfriend, Gray. In Episode 4, “Forget Me Not,” we learn Adira cannot remember how they came to have the symbiont inside them, so the Discovery travels to the Trill home world to find answers. (Warning: The rest of this story contains SPOILERS.) Adira, part of the United Earth Defense Force, joins the crew of the Discovery in Episode 3, and reveals they’re carrying a Trill symbiont - a companion alien species that lives through many lifetimes inside different Trill hosts. The third season of “Discovery” jumps the story 930 years further into the future, when the galaxy has been devastated by a cataclysm called the Burn, which seemingly wiped out the Federation and forced many societies to turn inward to survive. Instead, this happened, which, in turn, helped me figure this out!” ![]() My plan was, like, I’ll graduate, and then I’ll figure all of this out. “But it was not something that I was talking about with a lot of people, it was definitely still in my own brain. Writers by large lately keep forgeting they are in the business of ENTERTAINMENT (!) not forcing perspectives onto people.“I understood myself to not be cisgender,” Del Barrio says. Instead we got A LOT of FORCED lgbt sandwich talks, emotions, Michael whispering and smiling ( two acting expressions she seems only to lately possess). They poured freezing cold water all over the tension they have built, big part by dragging on (talentless writers stretch the storyline and pepper the few "good" story ideas they have over the season, while quality writers just write good stories, they do NOT drag on, or mess with the audience ). Writers who wrote this have no sense (talent?) how to compile an immersive tense dialogue or steer the storyline. Even more,here it is inclusion by exclusion, as someone nicely put it. ![]() I guess they thought they would be clever and write an ST episode where dialogue and moral/ethical quandries are at the forefront as were with Picard often, with little to no action,yet they still held our interest intensly There was zero subtlety or sense how to shape touching on various pol-soc (or personal) issues, that might mirror thouse of our society, in tastefully/neutraly as ST was always famous for. This was one of the most boring episodes I have witnessed. ![]()
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